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A History of 1970s Experimental Film: Britain's Decade of Diversity A History of 1970s Experimental Film: Britain's Decade of Diversity

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Patti Gaal-Holmes

Patti Gaal-Holmes

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This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade.

Patti Gaal-Holmes was born in Johannesburg, South Africa to German and Hungarian immigrants. She lived/travelled in various countries before settling in the UK and studying for a BA (Hons) and AHRB-funded MA Painting at Winchester School of Art. In 2006 she took up an AHRC-funded research scholarship in film at the University of Portsmouth as part of the '1970s Cinema' project. She is Reviews Editor for the journal, Transnational Cinemas, and currently resides in Southsea, UK.

 

CONTENT

List of Tables
Acknowledgements
List of Abbreviations
Image Credits for Book Cover
Introduction
1. Questions of History 
2. Institutional Frameworks and Organisational Strategies 
3. Experimental Film and Other Visual Arts 
4. Visionary, Mythopoeia and Diary Films 
5. Experiments with Structure and Material 
6. Women and Film
Conclusion
Notes
Bibliography
Index

 

This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade.

Patti Gaal-Holmes was born in Johannesburg, South Africa to German and Hungarian immigrants. She lived/travelled in various countries before settling in the UK and studying for a BA (Hons) and AHRB-funded MA Painting at Winchester School of Art. In 2006 she took up an AHRC-funded research scholarship in film at the University of Portsmouth as part of the '1970s Cinema' project. She is Reviews Editor for the journal, Transnational Cinemas, and currently resides in Southsea, UK.

 

CONTENT

List of Tables
Acknowledgements
List of Abbreviations
Image Credits for Book Cover
Introduction
1. Questions of History 
2. Institutional Frameworks and Organisational Strategies 
3. Experimental Film and Other Visual Arts 
4. Visionary, Mythopoeia and Diary Films 
5. Experiments with Structure and Material 
6. Women and Film
Conclusion
Notes
Bibliography
Index

 

Additional Info

Additional Info

SKU 9781137369376
Author(s) Patti Gaal-Holmes
Publisher(s) Palgrave Macmillan
Format Hardback
Original publication date 18.03.2015
Number of pages 256 pages

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