Michelangelo Antonioni

Hollywood is like being nowhere and talking to nobody about nothing. 

The films of Michelangelo Antonioni – certainly his most critically acclaimed pictures such as L’avventura (1960), Red Desert (1964) or Blowup (1966) – would seem to tick all the boxes when it comes to the clichéd view of so-called art(house) cinema. Slow rhythm, loose narratives, enigmatic characters, inconclusive endings – all these elements are here.

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