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Divine Horsemen Divine Horsemen

Maya Deren Maya Deren
£16.99

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Details

In September 1947 I disembarked in Haiti, for an eight-month stay, with eighteen motley pieces of lugage; seven of these consisted of 16-millimeter motion-picture equipment (three cameras, tripods, raw film stock, etc.), of which three were related to sound recording for a film, and three contained equipment for still photography. Maya Deren 'When the anthropologist arrives, the gods depart. So declares, I am told, a Haitian proverb. Maya Deren, on the other hand, was an artist: therein, the secret of her ability to recognize 'facts of the mind' when presented through the 'fictions' of a mythology. Her avant-garde films, composed before her first trip to Haiti, had already testified to her understanding of the pictorial script of dream, vision, and halluciantion. She went first to Haiti as an artist, thinking to make a film in which Haitian dance should be a leading theme. But the manifestations of rapture that there first fascinated and then seized her, transported her beyond the bounds of any art she had ever know. She was open, willingly and respectfully, to the message of the speechless deep, which is, indeed, the wellspring of the mysteres. And so it was, that when I first met her, just following her plunge into what she has named 'The White Darkness,' she was in a state of high exaltation.' - Joseph Campbell All rights of the producer and of the owner of the work are reserved. Unless authorized by the rights holder, no duplication, hiring, lending or public screenings are allowed. For institutional purchase please contact Re:Voir directly. In September 1947 I disembarked in Haiti, for an eight-month stay, with eighteen motley pieces of lugage; seven of these consisted of 16-millimeter motion-picture equipment (three cameras, tripods, raw film stock, etc.), of which three were related to sound recording for a film, and three contained equipment for still photography. Maya Deren 'When the anthropologist arrives, the gods depart. So declares, I am told, a Haitian proverb. Maya Deren, on the other hand, was an artist: therein, the secret of her ability to recognize 'facts of the mind' when presented through the 'fictions' of a mythology. Her avant-garde films, composed before her first trip to Haiti, had already testified to her understanding of the pictorial script of dream, vision, and halluciantion. She went first to Haiti as an artist, thinking to make a film in which Haitian dance should be a leading theme. But the manifestations of rapture that there first fascinated and then seized her, transported her beyond the bounds of any art she had ever know. She was open, willingly and respectfully, to the message of the speechless deep, which is, indeed, the wellspring of the mysteres. And so it was, that when I first met her, just following her plunge into what she has named 'The White Darkness,' she was in a state of high exaltation.' - Joseph Campbell All rights of the producer and of the owner of the work are reserved. Unless authorized by the rights holder, no duplication, hiring, lending or public screenings are allowed. For institutional purchase please contact Re:Voir directly.

Extras

19 page bilingual English-French booklet with essay by Sebastien Ronceray.

Additional Info

Additional Info

SKU 3493551100348
Year 1947-54/77 (DVD 2008)
Director Deren, Maya
Format DVD
Publisher(s) Re-voir
Countries USA
Colour B&W
Language(s) English, French
Running time 47 min
DVD region 0, PAL
Certificate N/a

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