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Found Footage Magazine: Issue 1 Found Footage Magazine: Issue 1

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César Ustarroz (Ed)

César Ustarroz (Ed)

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SPECIAL ON BILL MORRISON:

A Poetic Archaeology of Cinema: The Films of Bill Morrison, by Matthew Levine.

Bill Morrison‘s films often combine archival film material with contemporary pieces of music from internationally recognised composers. His masterpiece Decasia (67 min., 2002), a collaboration with the composer Michael Gordon, was selected for the 2013 National Film Registry of the Library of Congress of the US, becoming the most modern film named to be part of the list that preserves works of “great cultural, historic or aesthetic significance to the nation’s cinematic heritage.”

Interview with Bill Morrison, by FFM


 ESSAYS

Facing Time, by Adrian Danks

Knights Moves, by Dirk de Bruyn

The Ethics of Appropriation: Found Footage between Archive and Internet, by Thomas Elsaesser

Santiago Álvarez: The Revolutionary Filmmaker as Materialist Historian, by Jonathan Palomar

Found footage and television: Images that flash lightning in a hazardous instant, by Ingrid Guardiola


AND ALSO…

· Artists in an Archive, by Alan Berliner

· Making a Nameby Mike Hoolboom

· Sonic Findings: Festival (In)appropriation #7by Jaimie Baron

· Women Under the Influence: The Claustrum by Jay Rosenblattby César Ustarroz


FILM REVIEWS: CUT‘N’PASTE

by Albert Alcoz and Matthew Levine

· Iterations (Gregg Biermann, 2014)

· A Movie by Jen Proctor (Jennifer Proctor, 2010-12)

· Las variaciones Schwitters (Alberto Cabrera Bernal, 2012).

· Let Me ASMR You (Clint Enns, 2014)

· Iowneom Streets (Lucía Moreno, 2014)

· Pure Virtual Function (Péter Lichter, 2015)

· Weresheglanspertheere (Sebastian Buerkner, 2014)

· Pen Up the Pigs (Kelly Gallagher, 2014)

· Konrad & Kurfurst (Esther Urlus, 2013/14)

· Full of Fire (Rhayne Vermette, 2013)

· Threnody for the Victims of Marikana (Aryan Kaganof, 2014)

· Psychic Driving (William E. Jones, 2014)


BOOK REVIEWS

· The Archive Effect: Found footage and the audiovisual experience of history. Author: Jaimie Baron. (London, Routlege, 2013)

· Found Footage: Cinema Exposed. Editors: Giovanna Fossati and Jaap Guldemond. (Amsterdam, Amsterdam University Press/EYE Film Institute Netherlands, 2012)


INTERVIEW WITH ECLECTIC METHOD, by Óscar Testón and Enrique Ramírez (www.vjspain.com)

SPECIAL ON BILL MORRISON:

A Poetic Archaeology of Cinema: The Films of Bill Morrison, by Matthew Levine.

Bill Morrison‘s films often combine archival film material with contemporary pieces of music from internationally recognised composers. His masterpiece Decasia (67 min., 2002), a collaboration with the composer Michael Gordon, was selected for the 2013 National Film Registry of the Library of Congress of the US, becoming the most modern film named to be part of the list that preserves works of “great cultural, historic or aesthetic significance to the nation’s cinematic heritage.”

Interview with Bill Morrison, by FFM


 ESSAYS

Facing Time, by Adrian Danks

Knights Moves, by Dirk de Bruyn

The Ethics of Appropriation: Found Footage between Archive and Internet, by Thomas Elsaesser

Santiago Álvarez: The Revolutionary Filmmaker as Materialist Historian, by Jonathan Palomar

Found footage and television: Images that flash lightning in a hazardous instant, by Ingrid Guardiola


AND ALSO…

· Artists in an Archive, by Alan Berliner

· Making a Nameby Mike Hoolboom

· Sonic Findings: Festival (In)appropriation #7by Jaimie Baron

· Women Under the Influence: The Claustrum by Jay Rosenblattby César Ustarroz


FILM REVIEWS: CUT‘N’PASTE

by Albert Alcoz and Matthew Levine

· Iterations (Gregg Biermann, 2014)

· A Movie by Jen Proctor (Jennifer Proctor, 2010-12)

· Las variaciones Schwitters (Alberto Cabrera Bernal, 2012).

· Let Me ASMR You (Clint Enns, 2014)

· Iowneom Streets (Lucía Moreno, 2014)

· Pure Virtual Function (Péter Lichter, 2015)

· Weresheglanspertheere (Sebastian Buerkner, 2014)

· Pen Up the Pigs (Kelly Gallagher, 2014)

· Konrad & Kurfurst (Esther Urlus, 2013/14)

· Full of Fire (Rhayne Vermette, 2013)

· Threnody for the Victims of Marikana (Aryan Kaganof, 2014)

· Psychic Driving (William E. Jones, 2014)


BOOK REVIEWS

· The Archive Effect: Found footage and the audiovisual experience of history. Author: Jaimie Baron. (London, Routlege, 2013)

· Found Footage: Cinema Exposed. Editors: Giovanna Fossati and Jaap Guldemond. (Amsterdam, Amsterdam University Press/EYE Film Institute Netherlands, 2012)


INTERVIEW WITH ECLECTIC METHOD, by Óscar Testón and Enrique Ramírez (www.vjspain.com)

Additional Info

Additional Info

SKU 2370000253910
Publisher(s) Found Footage Magazine
Editor(s) Ustarroz, César
Format Paperback
Original publication date October 2016
Number of pages 156 pages including Colour & B/W illustrations

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