Teaching Analysis of Film Language Teaching Analysis of Film Language

A well-organised guide to teaching film language, with examples from Hollywood, independent, British and World cinemas. Designed to be accessible to those who are new to film or media studies, this book will also be very useful to more experienced practitioners. A well-organised guide to teaching film language, with examples from Hollywood, independent, British and World cinemas. Designed to be accessible to those who are new to film or media studies, this book will also be very useful to more experienced practitioners.
£29.99

Description

Details

A well-organised guide to teaching film language, with examples from Hollywood, independent, British and World cinemas. Designed to be accessible to those who are new to film or media studies, this book will also be very useful to more experienced practitioners. It centres on a concise account of key ideas in film analysis at the 'macro' level (narrative, genre, representation) and 'micro' level (cinematography, editing, sound). Without over-reliance on inaccessible theory, the guide explains how the auditory and visual components of film language can be interpreted as a semiotic process. It does so mostly from an audience perspective, but also relates film language to film production.

Focus films: Spider-Man2, Donnie Darko, The Magdalene Sisters, High Noon, Die Hard: With a Vengeance.

PLEASE NOTE THE LOGIN PAGE FOR THE DOWNLOADABLE RESOURCES HAVE CHANGED: Teaching Analysis of Film Language Resources

A well-organised guide to teaching film language, with examples from Hollywood, independent, British and World cinemas. Designed to be accessible to those who are new to film or media studies, this book will also be very useful to more experienced practitioners. It centres on a concise account of key ideas in film analysis at the 'macro' level (narrative, genre, representation) and 'micro' level (cinematography, editing, sound). Without over-reliance on inaccessible theory, the guide explains how the auditory and visual components of film language can be interpreted as a semiotic process. It does so mostly from an audience perspective, but also relates film language to film production.

Focus films: Spider-Man2, Donnie Darko, The Magdalene Sisters, High Noon, Die Hard: With a Vengeance.

PLEASE NOTE THE LOGIN PAGE FOR THE DOWNLOADABLE RESOURCES HAVE CHANGED: Teaching Analysis of Film Language Resources

Additional Info

Additional Info

SKU 9780851709819
Author(s) Wharton, David; Grant, Jeremy
Publisher(s) BFI Education
Format Paperback
Original publication date 2005
Number of pages 104

Tags