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La Furia Umana: Paper#6 La Furia Umana: Paper#6

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Toni D’Angela (ed) Toni D’Angela (ed)
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La furia umana is a multilingual quarterly of theory and history of cinema fire, daydreams, and drifts, founded in 2009. 

 

Editorial - Toni D’Angela. La Science nouvelle


confidential report
PETER HUTTON
Flâneur with Bolex (answers to Nicole Brenez) - Peter Hutton
L’occhio e il mondo - Toni D’Angela
Peter Hutton / Charles Sheeler: Memory-forming, if such a thing is possible, and how that always seems to result in square surfaces - Claudia Siefen
Urban Sensuality. Five Notes around Peter Hutton’s New York Portrait - Enrico Camporesi
Nova Iorque, Nova Iorque: O Fantasma da Fotografia em Peter Hutton - Luis Mendonca
Urban Sensuality. Notes on Peter Hutton’s New York Portrait  - Enrico Camporesi
Thick Depictions. Una nota sul cinema di Peter Hutton  - Gianluca Pulsoni
At Sea. Violences delocalises de la technologie  - Bidhan Jacobs
De barcos y anfibios: el encaje genérico de Peter Hutton’s At Sea - Antonio Weinrichter

YASUJIRO OZU
Ozu, el “estilo kamata” y el espacio japonés - Luis Miranda & Aythami Ramos
Ozu – Hitchcock – Cinema - Emmanuel Bonin
Ozu Yasujirô et Naruse Mikio, receveurs d’autobus - Mathieu Capel
Ozu and the Critics - Fredrik Gustafsson
La forma del tempo - Sigismondo Domenico Sciortino
La intromissión. Pequeña nota alrededor de El hijo único - Carlos Losilla 
Ohayo: New Day Rising  - Stephen Sarrazin
L’esercizio del vedere. Permanenza e mutamento in Yasujiro Ozu  - Toni D’Angela

prima linea
Júlio Bressane and his Sentimental Education - Monica Saviron
Aura seminalis. Una densità che danza: Educaçao Sentimental di Julio Bressane - Toni D’Angela
eng Ai – ‘Til Madness Do Us Apart: The Bi(n)g Brother  - Michael Guarneri 
«I am just a simple individual who films what he loves to film». Interview with Wang Bing - Michael Guarneri
Cronenberg / Pattinson : de la consumation ostentatoire - Gabriela Trujillo
Les Anges anthropophages. Equisse pour un cinématographie democratique. (A propos de Vers Madrid – The Burning Bright de Sylvain George) - Chloé Belloc et Sylvain George
Il linguaggio del padre. A proposito di La Jalouise di Philippe Garrel - Toni D’Angela

histoire(s) du cinéma
El álgebra inevitable del azar: Hong Sangsoo Sergio Wolf
Andrea Tonacci, allégories de la violence - Gabriela Trujillo

l’occhio che uccide
Reflexive Ethnography: Hanji and Im Kwon Taek’s use of Nativist Korean Culture as Allegories of Cinema - David E. James
Habitar entre los objetos. Tarkovskij vs. Baudrillard - _marina_moron (Jesús Marina & Elena Morón)
La materia poética o poética de la materia. Intervenciones#10 - Carlos Losilla

flaming creatures
Cinco estampas sobre Robert Breer - Elena Duque
Un’esperienza carnale. Vinyl di Andy Warhol - Rossella Catanese
De la carte stéréographique à la vidéo numérique, via le vertige du cinématographe. Une analyse de The Discovery (2008) de Ken Jacobs - Tatiana Monassa
The Poly Prismatics: Variant of a Nifesto - Abigail Child

La furia umana is a multilingual quarterly of theory and history of cinema fire, daydreams, and drifts, founded in 2009. 

 

Editorial - Toni D’Angela. La Science nouvelle


confidential report
PETER HUTTON
Flâneur with Bolex (answers to Nicole Brenez) - Peter Hutton
L’occhio e il mondo - Toni D’Angela
Peter Hutton / Charles Sheeler: Memory-forming, if such a thing is possible, and how that always seems to result in square surfaces - Claudia Siefen
Urban Sensuality. Five Notes around Peter Hutton’s New York Portrait - Enrico Camporesi
Nova Iorque, Nova Iorque: O Fantasma da Fotografia em Peter Hutton - Luis Mendonca
Urban Sensuality. Notes on Peter Hutton’s New York Portrait  - Enrico Camporesi
Thick Depictions. Una nota sul cinema di Peter Hutton  - Gianluca Pulsoni
At Sea. Violences delocalises de la technologie  - Bidhan Jacobs
De barcos y anfibios: el encaje genérico de Peter Hutton’s At Sea - Antonio Weinrichter

YASUJIRO OZU
Ozu, el “estilo kamata” y el espacio japonés - Luis Miranda & Aythami Ramos
Ozu – Hitchcock – Cinema - Emmanuel Bonin
Ozu Yasujirô et Naruse Mikio, receveurs d’autobus - Mathieu Capel
Ozu and the Critics - Fredrik Gustafsson
La forma del tempo - Sigismondo Domenico Sciortino
La intromissión. Pequeña nota alrededor de El hijo único - Carlos Losilla 
Ohayo: New Day Rising  - Stephen Sarrazin
L’esercizio del vedere. Permanenza e mutamento in Yasujiro Ozu  - Toni D’Angela

prima linea
Júlio Bressane and his Sentimental Education - Monica Saviron
Aura seminalis. Una densità che danza: Educaçao Sentimental di Julio Bressane - Toni D’Angela
eng Ai – ‘Til Madness Do Us Apart: The Bi(n)g Brother  - Michael Guarneri 
«I am just a simple individual who films what he loves to film». Interview with Wang Bing - Michael Guarneri
Cronenberg / Pattinson : de la consumation ostentatoire - Gabriela Trujillo
Les Anges anthropophages. Equisse pour un cinématographie democratique. (A propos de Vers Madrid – The Burning Bright de Sylvain George) - Chloé Belloc et Sylvain George
Il linguaggio del padre. A proposito di La Jalouise di Philippe Garrel - Toni D’Angela

histoire(s) du cinéma
El álgebra inevitable del azar: Hong Sangsoo Sergio Wolf
Andrea Tonacci, allégories de la violence - Gabriela Trujillo

l’occhio che uccide
Reflexive Ethnography: Hanji and Im Kwon Taek’s use of Nativist Korean Culture as Allegories of Cinema - David E. James
Habitar entre los objetos. Tarkovskij vs. Baudrillard - _marina_moron (Jesús Marina & Elena Morón)
La materia poética o poética de la materia. Intervenciones#10 - Carlos Losilla

flaming creatures
Cinco estampas sobre Robert Breer - Elena Duque
Un’esperienza carnale. Vinyl di Andy Warhol - Rossella Catanese
De la carte stéréographique à la vidéo numérique, via le vertige du cinématographe. Une analyse de The Discovery (2008) de Ken Jacobs - Tatiana Monassa
The Poly Prismatics: Variant of a Nifesto - Abigail Child

Additional Info

Additional Info

SKU 9772255281008#6
Publisher(s) Duen De Bux
Editor(s) Toni D’Angela
Format Paperback
Original publication date September 2014
Number of pages 356 pages

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