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Letter from Greenpoint, A Letter from Greenpoint, A

Letter from Greenpoint, A Letter from Greenpoint, A
£21.99

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In February 2004, after 30 years of my life in SoHo, I made a decision to leave SoHo and move to Greenpoint, Brooklyn. This video is about what it feels like to leave a place in which one has spent more time than any other place, and which was also the place of my family life. I am somewhere else now. It's about beginning of growing roots in a new place, new home, with new friends, new thoughts, experiences.But this video is also about video. I will let Dominique Dubosc, my good Paris friend, talk for me, in a recent letter: 'I think you finally mastered this bloody video camera that was for so long (still is for most people) no more than a tape recorder. Now it is the eye-camera the Kinoks had been dreaming of. Of course, it is not only a question of mastering the camera. What is more important is the energy behind. The movement of life embracing death itself. It gave me such a push that I feel on the move again. Thank you.' What Dominique meant, and what I mean, is this: When in 1949 I began filming with my Bolex, it took me fifteen years to really master it so that my Bolex would do for me what I wanted. When in 1987 I got my first Sony camera I thought it would be different. But no. Only today, after working with the video camera for fifteen years, I feel like it had become an extension of my eye, my body, A Letter from Greenpoint being my first real video work. - J. M. All rights of the producer and of the owner of the work are reserved. Unless authorized by the rights holder, no duplication, hiring, lending or public screenings are allowed. For institutional purchase please contact Re:Voir directly. In February 2004, after 30 years of my life in SoHo, I made a decision to leave SoHo and move to Greenpoint, Brooklyn. This video is about what it feels like to leave a place in which one has spent more time than any other place, and which was also the place of my family life. I am somewhere else now. It's about beginning of growing roots in a new place, new home, with new friends, new thoughts, experiences.But this video is also about video. I will let Dominique Dubosc, my good Paris friend, talk for me, in a recent letter: 'I think you finally mastered this bloody video camera that was for so long (still is for most people) no more than a tape recorder. Now it is the eye-camera the Kinoks had been dreaming of. Of course, it is not only a question of mastering the camera. What is more important is the energy behind. The movement of life embracing death itself. It gave me such a push that I feel on the move again. Thank you.' What Dominique meant, and what I mean, is this: When in 1949 I began filming with my Bolex, it took me fifteen years to really master it so that my Bolex would do for me what I wanted. When in 1987 I got my first Sony camera I thought it would be different. But no. Only today, after working with the video camera for fifteen years, I feel like it had become an extension of my eye, my body, A Letter from Greenpoint being my first real video work. - J. M. All rights of the producer and of the owner of the work are reserved. Unless authorized by the rights holder, no duplication, hiring, lending or public screenings are allowed. For institutional purchase please contact Re:Voir directly.

Extras

16 page booklet with text by Phong Bui.

Additional Info

Additional Info

SKU 3493551100980
Year 2004 (DVD 2013)
Director Mekas, Jonas
Format DVD
Publisher(s) Re-voir
Countries USA
Colour Colour
Subtitles French, German, Lithuanian
Language(s) English
Running time 80 min
DVD region 0, PAL
Certificate N/a

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