More Views

Temporality and Film Analysis Temporality and Film Analysis

By Matilda Mroz By Matilda Mroz
£24.99

Description

Details

Description: This book places the concept of duration at the centre of an understanding of cinema and spectatorship. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. From this vantage point, the book reviews two major strands of film theory: embodied viewing and the senses, and the film-philosophy of Gilles Deleuze. Unlike much contemporary film theory, Mroz's book emphasises the necessity of considering the close relationship between intellectual comprehension and sensual apprehension, as mediated through film aesthetics. In the duration of the film experience, sensual responses to filmed textures and the interpretive contexts that we inevitably bring to bear on films are continually interacting. Exactly how this occurs is demonstrated in detailed case studies of films by Antonioni (L'Avventura), Tarkovsky (Mirror) and Kieslowski (The Decalogue).

Contents: Introduction; 1 Time, in Theory; 2 L'Avventura: Temporal Adventures; 3 Mirror: Traces and Transfiguration; 4 Signs and Meaning in The Decalogue; Epilogue.

Author Biography: Matilda Mroz is Lecturer in Film and Visual Culture at the University of Greenwich.

Description: This book places the concept of duration at the centre of an understanding of cinema and spectatorship. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. From this vantage point, the book reviews two major strands of film theory: embodied viewing and the senses, and the film-philosophy of Gilles Deleuze. Unlike much contemporary film theory, Mroz's book emphasises the necessity of considering the close relationship between intellectual comprehension and sensual apprehension, as mediated through film aesthetics. In the duration of the film experience, sensual responses to filmed textures and the interpretive contexts that we inevitably bring to bear on films are continually interacting. Exactly how this occurs is demonstrated in detailed case studies of films by Antonioni (L'Avventura), Tarkovsky (Mirror) and Kieslowski (The Decalogue).

Contents: Introduction; 1 Time, in Theory; 2 L'Avventura: Temporal Adventures; 3 Mirror: Traces and Transfiguration; 4 Signs and Meaning in The Decalogue; Epilogue.

Author Biography: Matilda Mroz is Lecturer in Film and Visual Culture at the University of Greenwich.

Additional Info

Additional Info

SKU 9780748685912
Author(s) Mroz, Matilda
Publisher(s) Edinburgh University Press
Format Paperback
Original publication date 12 Aug 2013
Number of pages 240

Tags