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Details
The Moving Image Review & Art Journal (MIRAJ) is the first international peer-reviewed scholarly publication devoted to artists’ film and video, and its contexts. It offers a forum for debates surrounding all forms of artists’ moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations, and other screen-based works made by artists. MIRAJ aims to consolidate artists’ moving image as a distinct area of study that bridges a number of disciplines, not limited to, but including art, film, and media.
Table of Content - Volume 3 issue 2
In memoriam – Catherine Elwes
ARTICLES
The poetic reactivation of historical time: Eija-Liisa Ahtila’s Where is Where? – Maria Walsh
Between canvas and celluloid: Painted films and filmed paintings – Gregory Zinman
Threshold faces: The physiognomy of Comédie – David Foster – David Foster
Cinema–in–the–round: Doug Aitken’s SONG 1 (2012), the Hirshhorn Museum and the pleasures of cinematic projection – Annie Dell’Aria
FEATURES
James Mackay in conversation with Stuart Comer: Derek Jarman’s Super 8 films – James Mackay and Stuart Comer
Roundtable discussion: London Film-makers’ Co-op, the second generation – Nina Danino, James Mackay, Michael Mazière, Vicky Smith and William Fowler
Exercise (Djibouti) 2012: John Gerrard in conversation with Paul Bonaventura – John Gerrard and Paul Bonaventura
Ben Rivers in conversation with Stuart Comer – Ben Rivers and Stuart Comer
REVIEW ARTICLES
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film, Ara Osterweil (2014) – James Boaden
TV Museum: Contemporary Art and the Age of Television, Maeve Connolly (2014) – Catherine Elwes
Exhibiting Cinema in Contemporary Art, Erika Balsom (2013) – Steven Jacobs
John Woodman’s early landscape films – Jeffrey Langille
ORBITUARY
David Hall (1937–2014) – Steven Ball and Catherine Elwes
The Moving Image Review & Art Journal (MIRAJ) is the first international peer-reviewed scholarly publication devoted to artists’ film and video, and its contexts. It offers a forum for debates surrounding all forms of artists’ moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations, and other screen-based works made by artists. MIRAJ aims to consolidate artists’ moving image as a distinct area of study that bridges a number of disciplines, not limited to, but including art, film, and media.
Table of Content - Volume 3 issue 2
In memoriam – Catherine Elwes
ARTICLES
The poetic reactivation of historical time: Eija-Liisa Ahtila’s Where is Where? – Maria Walsh
Between canvas and celluloid: Painted films and filmed paintings – Gregory Zinman
Threshold faces: The physiognomy of Comédie – David Foster – David Foster
Cinema–in–the–round: Doug Aitken’s SONG 1 (2012), the Hirshhorn Museum and the pleasures of cinematic projection – Annie Dell’Aria
FEATURES
James Mackay in conversation with Stuart Comer: Derek Jarman’s Super 8 films – James Mackay and Stuart Comer
Roundtable discussion: London Film-makers’ Co-op, the second generation – Nina Danino, James Mackay, Michael Mazière, Vicky Smith and William Fowler
Exercise (Djibouti) 2012: John Gerrard in conversation with Paul Bonaventura – John Gerrard and Paul Bonaventura
Ben Rivers in conversation with Stuart Comer – Ben Rivers and Stuart Comer
REVIEW ARTICLES
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film, Ara Osterweil (2014) – James Boaden
TV Museum: Contemporary Art and the Age of Television, Maeve Connolly (2014) – Catherine Elwes
Exhibiting Cinema in Contemporary Art, Erika Balsom (2013) – Steven Jacobs
John Woodman’s early landscape films – Jeffrey Langille
ORBITUARY
David Hall (1937–2014) – Steven Ball and Catherine Elwes
Additional Info
Additional Info
SKU | 9772045629003#3.2 |
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Subtitle | MIRAJ 3.2 |
Publisher(s) | Intellect |
Editor(s) | Catherine Elwes, Erika Balsom, Colin Perry |
Format | Paperback |
Original publication date | October 2015 |
Number of pages | 165 pages including illustrations |