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Another Gaze: A Feminist Film Journal - Issue 03 Another Gaze: A Feminist Film Journal - Issue 03

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Another Gaze was founded early in 2016 in response to the difficulty in obtaining rigorous writing – whether online or in print - about women and film: its sources being disparate, or access requiring membership of an academic institution or the will and resources to get through a ‘paywall’. We are the only self-published printed feminist journal available today.

Feminist criticism is not, and should not be considered elite or specialist; nor should it require the reader to have a university degree or be a self-proclaimed 'cinephile'. Particularly since the advent of the internet, young women, queer people and people of colour, have had the opportunity to discover films which reflect and affirm their lives and aspirations in a manner which is harder to find in the prescribed male canon, and to create their own.

The third issue contains:

After Agnès Varda: A Roundtable Discussion – Grace Barber-Plentie, Jenny Chamarette, Lauren Elkin, Sandy Flitterman-Lewis, AS Hamrah, Sheila Heti, Kiva Reardon, Samia Labidi

Agnès Varda’s Brilliant Alchemy – Sandy Flitterman-Lewis

The words and worlds of Carolee Schneemann and Barbara Hammer with two thoughts by Agnès Varda – Alexandra Juhasz

Talking Cinema: Remembering Barbara Hammer (1939–2019) – Gabriella Beckhurst

Locating the Lesbian Hand in Barbara Hammer’s Early Films – Brodie Crellin

In Conversation With Barbara Hammer – Another Gaze

Thinking through Camille Billops (1933–2019) –Terri Francis

 

Projection, Introspection

The Making of a Millennial Woman – Rebecca Liu

“(Gay Panic)”: Why I Love Fan Subtitles – Devan Wells

The Communicative Power of Silence – Minou Norouzi

Femme, butch and in-between : re-seeing myself between the frames – Claire Mead

Glimpses of her: Grieving through cinema  David Lee-Astley

In Conversation With Akosua Adoma Owusu – Gazelle Mba

 

OTHER / WORLDLY

Studies in Natural Magic: The video work of Charlotte Pryce – Matt Turner

The Great Digestive Machine: inside the choreography of Loie Fuller and the underwater cinema of Geneviève Hamon and Jean Painlevé – Lauren Collee

No Other Voice: Claire Denis’s High Life – Hannah Paveck

 

PROJECTING POLITICS

A Different Kind of Duration: Lila Avilés’s The Chambermaid – Hannah Paveck

Dominga Sotomayor’s Unstable Utopias: ‘Too Late to Die Young’ – Bessie Rubinstein

In Search of Gloria Camiruaga, A Lesser- Known Pioneer of Chilean Video Art – Eliza Levinson

Who gets to be ‘the people’? Astra Taylor’s What Is Democracy? and Gabrielle Brady’s Island of the Hungry Ghosts – Rebecca Liu

Filming Philosophy: Interview with Astra Taylor – Esmé Hogeveen

Women on the Edge: History, Temporality, Sisterhood and Political Militancy in Marge Piercy’s Vida and Margarethe von Trotta’s Die bleierne Zeit – Hannah Proctor

From avant-garde masterpiece to divisive film remake — On Ingeborg Bachmann’s Malina – Brigette Manion

Crisis-women: Prostitution and Capitalist Modernity in Lina Wertmüller’s Love and Anarchy – Lila Bullen-Smith

It was me, but it was not me”: The Uncertain Feminism of Catherine Breillat – Beatrice Loayza

 

JANE ARDEN AND PENNY SLINGER

“You Don’t Know What You Want, Do You?” The Life and Work of Jane Arden – Joe Passmore

 Into The Shadows and Back Out Again: Penny Slinger’s Violent Seductions – Adina Glickstein

The Visible Woman: In Conversation with Penny Slinger – Sophia Satchell-Baeza

The Big Swallow: In Search of Yonic Imagery – Tilde Fredholm

A Portrait of an Unseen Female Grotesque: Carol Morley’s The Alcohol Years (2000) – Frances Hatherley

In Conversation With Ericka Beckman; On her Super-8 Trilogy – Jesse Cummings

The queer subjectivity of Charlotte Prodger’s BRIDGIT – Frances Whorrall-Campbell

Desire in Language – Suspended: Ulrike Ottinger’s Madame X and the Female Speaking Subject – Eva Klein

Still Appropriating?: Ulrike Ottinger’s Shifting Archive of Identity – J. Makary

Hito Steyerl’s Grey Zone – Mimi Howard

Red, White, Yellow, and Black: A Multiracial Feminist Video Collective, 1972-73 – Emily Watlington

On Ana’s Archive – Lily Hill Evans

“A known fact masquerading as a secret” – On Another Gaze’s ‘Unvictiming’ programme – Phoebe Chen

The Language of Traces: On Mati Diop – Bessie Rubinstein

Review: ‘Atlantique’ – Rebecca Liu

Review: Lee Chang-Dong’s ‘Burning’ – Phoebe Chen

Burning Rage: Oh Jung-mi and the Female Auteur – Suzanne Enzerink and Claire Gullander-Drolet

Angela Schanelec’s ‘I was at home but…’ / ‘Ich war zuhause, aber…’ – Laura Staab

 

 

£9.50; 226pp

Another Gaze was founded early in 2016 in response to the difficulty in obtaining rigorous writing – whether online or in print - about women and film: its sources being disparate, or access requiring membership of an academic institution or the will and resources to get through a ‘paywall’. We are the only self-published printed feminist journal available today.

Feminist criticism is not, and should not be considered elite or specialist; nor should it require the reader to have a university degree or be a self-proclaimed 'cinephile'. Particularly since the advent of the internet, young women, queer people and people of colour, have had the opportunity to discover films which reflect and affirm their lives and aspirations in a manner which is harder to find in the prescribed male canon, and to create their own.

The third issue contains:

After Agnès Varda: A Roundtable Discussion – Grace Barber-Plentie, Jenny Chamarette, Lauren Elkin, Sandy Flitterman-Lewis, AS Hamrah, Sheila Heti, Kiva Reardon, Samia Labidi

Agnès Varda’s Brilliant Alchemy – Sandy Flitterman-Lewis

The words and worlds of Carolee Schneemann and Barbara Hammer with two thoughts by Agnès Varda – Alexandra Juhasz

Talking Cinema: Remembering Barbara Hammer (1939–2019) – Gabriella Beckhurst

Locating the Lesbian Hand in Barbara Hammer’s Early Films – Brodie Crellin

In Conversation With Barbara Hammer – Another Gaze

Thinking through Camille Billops (1933–2019) –Terri Francis

 

Projection, Introspection

The Making of a Millennial Woman – Rebecca Liu

“(Gay Panic)”: Why I Love Fan Subtitles – Devan Wells

The Communicative Power of Silence – Minou Norouzi

Femme, butch and in-between : re-seeing myself between the frames – Claire Mead

Glimpses of her: Grieving through cinema  David Lee-Astley

In Conversation With Akosua Adoma Owusu – Gazelle Mba

 

OTHER / WORLDLY

Studies in Natural Magic: The video work of Charlotte Pryce – Matt Turner

The Great Digestive Machine: inside the choreography of Loie Fuller and the underwater cinema of Geneviève Hamon and Jean Painlevé – Lauren Collee

No Other Voice: Claire Denis’s High Life – Hannah Paveck

 

PROJECTING POLITICS

A Different Kind of Duration: Lila Avilés’s The Chambermaid – Hannah Paveck

Dominga Sotomayor’s Unstable Utopias: ‘Too Late to Die Young’ – Bessie Rubinstein

In Search of Gloria Camiruaga, A Lesser- Known Pioneer of Chilean Video Art – Eliza Levinson

Who gets to be ‘the people’? Astra Taylor’s What Is Democracy? and Gabrielle Brady’s Island of the Hungry Ghosts – Rebecca Liu

Filming Philosophy: Interview with Astra Taylor – Esmé Hogeveen

Women on the Edge: History, Temporality, Sisterhood and Political Militancy in Marge Piercy’s Vida and Margarethe von Trotta’s Die bleierne Zeit – Hannah Proctor

From avant-garde masterpiece to divisive film remake — On Ingeborg Bachmann’s Malina – Brigette Manion

Crisis-women: Prostitution and Capitalist Modernity in Lina Wertmüller’s Love and Anarchy – Lila Bullen-Smith

It was me, but it was not me”: The Uncertain Feminism of Catherine Breillat – Beatrice Loayza

 

JANE ARDEN AND PENNY SLINGER

“You Don’t Know What You Want, Do You?” The Life and Work of Jane Arden – Joe Passmore

 Into The Shadows and Back Out Again: Penny Slinger’s Violent Seductions – Adina Glickstein

The Visible Woman: In Conversation with Penny Slinger – Sophia Satchell-Baeza

The Big Swallow: In Search of Yonic Imagery – Tilde Fredholm

A Portrait of an Unseen Female Grotesque: Carol Morley’s The Alcohol Years (2000) – Frances Hatherley

In Conversation With Ericka Beckman; On her Super-8 Trilogy – Jesse Cummings

The queer subjectivity of Charlotte Prodger’s BRIDGIT – Frances Whorrall-Campbell

Desire in Language – Suspended: Ulrike Ottinger’s Madame X and the Female Speaking Subject – Eva Klein

Still Appropriating?: Ulrike Ottinger’s Shifting Archive of Identity – J. Makary

Hito Steyerl’s Grey Zone – Mimi Howard

Red, White, Yellow, and Black: A Multiracial Feminist Video Collective, 1972-73 – Emily Watlington

On Ana’s Archive – Lily Hill Evans

“A known fact masquerading as a secret” – On Another Gaze’s ‘Unvictiming’ programme – Phoebe Chen

The Language of Traces: On Mati Diop – Bessie Rubinstein

Review: ‘Atlantique’ – Rebecca Liu

Review: Lee Chang-Dong’s ‘Burning’ – Phoebe Chen

Burning Rage: Oh Jung-mi and the Female Auteur – Suzanne Enzerink and Claire Gullander-Drolet

Angela Schanelec’s ‘I was at home but…’ / ‘Ich war zuhause, aber…’ – Laura Staab

 

 

£9.50; 226pp

Additional Info

Additional Info

SKU AnotherGaze03
Subtitle A Feminist Film Journal
Publisher(s) Another Gaze
Editor(s) Shreir, Danielle
Format Paperback
Number of pages 226 pages

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