Special on Bill Morrison: A Poetic Archaeology of Cinema: The Films of Bill Morrison,by Matthew Levine.
Bill Morrison‘s films often combine archival film material with contemporary pieces of music from internationally recognised composers. His masterpiece Decasia (67 min., 2002), a collaboration with the composer Michael Gordon, was selected for the 2013 National Film Registry of the Library of Congress of the US, becoming the most modern film named to be part of the list that preserves works of “great cultural, historic or aesthetic significance to the nation’s cinematic heritage.”
Interview with Bill Morrison, by FFM
Essays:
Facing Time, by Adrian Danks
Knights Moves, by Dirk de Bruyn
The Ethics of Appropriation: Found Footage between Archive and Internet, by Thomas Elsaesser
Santiago Álvarez: The Revolutionary Filmmaker as Materialist Historian, by Jonathan Palomar
Found footage and television: Images that flash lightning in a hazardous instant, by Ingrid Guardiola
And Also...
Artists in an Archive, by Alan Berliner
Making a Name, by Mike Hoolboom
Sonic Findings: Festival (In)appropriation #7, by Jaimie Baron
Women Under the Influence: The Claustrumby Jay Rosenblatt, by César Ustarroz
The Archive Effect: Found footage and the audiovisual experience of history. Author: Jaimie Baron. (London, Routlege, 2013)
Found Footage: Cinema Exposed.Editors: Giovanna Fossati and Jaap Guldemond. (Amsterdam, Amsterdam University Press/EYE Film Institute Netherlands, 2012)
Interview with Eclectic Method,by Óscar Testón and Enrique Ramírez (www.vjspain.com)